Play second fiddle

‘Play second fiddle’ derives from the orchestral role of Second Violin. This person leads the group of second violins (fiddles) who play a supportive role musically to the first violins which usually play the melody.

The notion that ‘play second fiddle’ derives from the roles within an orchestra is what anyone might guess to be the case. In etymological terms it is something of a rarity as such plausible guesses are usually incorrect.

We can say with certainty how the expression ‘play second fiddle’ derived; what isn’t so clear is precisely when and where.

We can make a pretty good stab at those questions, as all the early uses of the expression in print date to early 19th century London.

The first example I can find of the phrase ‘play second fiddle’ in print is from the English newspaper The Morning Post, September 1801:

Storace and Braham are gone to Bath, dis- gusted, it is said, to find that, after being engaged to oppose Mrs. Billington, they are now to play second fiddle to her and Incledon.

A little research shows that the Storace and Braham listed were Nancy Storace and John Braham, who were leading operatic singers at the turn of the 19th century. It appears that they were upstaged by Elizabeth Billington and Charles Incledon, who were rival operatic performers.

The expression ‘play second fiddle’ had its heyday in the middle of the 20th century and is now used less and less. Not quite so much less as its companion ‘play first fiddle’ which was commonplace when the two terms were coined but is now long resident in the linguistic graveyard.