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Browse phrases beginning with: [A][B][C][D][E][F][G][H][I][J][K][L][M][N][O][P][Q][R][S][T][U,V][W][X,Y,Z] For whom the bell tollsMeaning A quotation from a work by John Donne, in which he explores the interconnectedness of humanity - see below. Origin
Donne lived in Tudor and Stewart England, and at that time the tolling of church bells, to mark various events, was an important feature of daily life. The tolling referred to in the quotation is, of course, that of funeral bells. Donne's view, which has, oddly for a 17th century Christian, much in common with 21st century eastern religions, was that all people are socially and religiously interconnected. For example, the contemporary Buddhist view is demonstrated by the reply given by the Dalai Lama, when asked during a visit to Northern Island how the warring Protestants and Catholics could co-exist: "Remember we are all one - all the same". Donne seems to be saying, whatever affects one affects us all. This is highlighted by the famous 'no man is an island' line at the beginning of the 'for whom the bells tolls' paragraph. Donne's Meditations concern man's spiritual and social functioning, especially with regard to illness and death. They are somewhat mystical and difficult to interpret, especially without the benefit of an experience of the nuances of the social and religious sensibilities of a 17th century Englishman. It is a testament to his insight that the work contains much that strikes deep chords with people living and dying today. There's some debate about what precisely was meant; some view it simply that Donne was pointing out people's mortality and that when a funeral bell was heard it was a reminder that we are nearer death each day, i.e. the bell is tolling for us. Others view it more mystically and argue that Donne is saying we are all one and that, when one dies, we all die a little. This isn't as bleak as it might sound, as the counterpoint would be that there is some part of the living in the dead and that we continue a form of life after death.
Hemingway adapted the novel as the screenplay to a successful 1943 film of the same title, starring Gary Cooper and Ingrid Bergman. |